So I guess I needed a week to process seeing Hamilton before writing about it.
Let me get right to it though: I loved this show. Hands down, definitely deserves all the hype that is still surrounding it. Really, I can’t think of what else to say about this that hasn’t already been repeated ad infinitum, other than, yes, it was definitely worth avoiding listening to the cast recording so that I could experience everything fresh in real time.
And yes, I want to recommend everyone who hasn’t yet had the chance to see it to grab a ticket, but this show is still incredibly prohibitively expensive. Welcome to one of the (many) problems I have with the musical theatre industry in the United States. The other major one of course being the fact that one gets the impression – especially when one doesn’t live in a major theatre city like New York (hell, especially New York) – that musical theatre is theatre in the US. That is, that to be a theatre-lover is necessarily to like and want to do that kind of theatre. Granted, when musical theatre is some of the only kind of theatre most people have access to – if they have access to any theatre at all -, it is easy to get the impression that that’s all there is. I can’t tell you how many conversations I’ve had with people here where I’ve had to say that no, I have not heard of such-and-such underground company in New York. Why? Because I never lived in New York, nor do I go there often enough to be able to take the time to discover/stumble upon such-and-such group. Aside from visiting family back east, whereupon a visit to New York would almost always include a ticket to a matinee, my theatre exposure was, other than what we did in school, whatever came through the local community theatre stage. And nine times out of ten, that was musicals. Musicals, especially the old standbys, make money. And when you’re constantly teetering on the edge of the abyss in terms of funding, getting butts in seats is pretty essential to survival, so creativity and innovation kind of goes out the window. It also leads to the creation of a sort of gatekeeping culture, in which being a ‘theatre kid’ means having memorized the entire catalogue to every show ever, and being able to belt out the latest show tunes at the drop of a hat.
Honestly, there’s only so many times you can hear “La Vie Bohème” or “The Bitch of Living” before you want to tear your hair out. But maybe that’s because for a long time I felt out of place because I wanted to do something, to follow something other than all that.
As imperfect as the system is, I will say that a major advantage of the French system of funding and subsidizing the arts is that situations like those seen with Hamilton where an $800+ ticket became almost normal don’t happen. I’ve mentioned before that I’ve had conversations with people here before about the effects of the incredible lack of State support for the arts in the United States, and even though Hamilton is something of an anomaly even by American standards, there is something rather disturbing about the fact that throwing down just over $100 to see a Broadway musical is almost expected.
Speaking of things being prohibitively expensive…I’m pretty proud of myself for how not expensive this little trip to London turned out to be. Staying in a hostel helped. Eating on the cheap was even better.
Not going to lie though, I think one of my favorite things was this tiropita + Greek coffee combo I had at Ergon with my cousin just after I arrived. There aren’t really any Greek cafés in Paris (pity…), and although there are numerous places where I could buy Greek products, sometimes I do wish there was a place where I could grab one of my preferred indulgent breakfast treats of tiropita + frappé. Of course, until I decide in a moment of pure impulse to drop everything and throw myself full-force into opening one, I’ll settle for this.
Ok fine, the next morning, my friend, Caitlin, who came down from Sweden to join me in this little adventure, and I hit up another Greek café, although this time instead of another Greek pastry, we split a cinnamon roll.
Other food highlights include: dinner on the first night at Yalla Yalla, a Lebanese restaurant located down an alley in Soho that also provided a bit of entertainment in the form of a woman doing what looked like moving her furniture into her apartment via several back and forth trips on a pedicab.
An Ethiopian curry lunch at Borough Market the next day before the show, followed by some wonderfully spicy lamb vindaloo and an assortment of other curries later that night for dinner definitely helped fight off the (annoying but also kind of expected because…London) cold.
And of course, because it’s London, we had to stop at a pub for some fish and chips.
Another wonderful thing about London, free museums. We took advantage of this on our last day there, first by checking out the Tate Modern.
Then by heading over to the National Portrait Gallery, where I finally got to see a portrait I had been wanting to see for a long time.
And also one that, let’s just be honest, I wasn’t quite expecting.
Some people might wonder if going from one major city to another really counts as a vacation, but honestly, considering I hadn’t been out of Paris since I went to California over the Christmas holidays, I was pretty much down for anything at this point. Besides, getting out of the city to go…anywhere…is a recharging act in and of itself. Hell, even the fact that my return train back to Paris was delayed by 90min (no, not because of the ongoing strikes; an electrical problem), meaning I had to sprint to make sure I caught the trains I needed, couldn’t put a damper on my little holiday.
And then of course it was back to work. We’re in the home stretch at the high school now, which is fantastic on the one had because soon I’ll have even more time to get back to my own work, but chaos on the other hand because I did a silly thing and assigned mini writing assignments to all my classes to turn in after the break that I now have to grade…oops.
Tuesday the theatre workshop I’ve been involved in for the past month had our final presentation, but hopefully I’ll find a way to fill that little performance-void in my life again soon. It’s hard to stay away for long anyway.
A new art space opened up in Paris a few weeks ago, that I had been wanting to check out with another friend of mine, but our schedules kept getting crossed until finally we were able to head over on Friday night. The Atelier des Lumières is located in a former ironworks factory on rue St Maur in the 11th arrondissement. Its aim: render artistic works more immersive and accessible through the use of digital technology. While I can definitely get behind the immersive aspect, I’m not sure the 11,50eu price tag was really worth it, considering all the expo consisted of was a room that projected a (admittedly rather impressive) digital art expo on almost every exposed surface. Currently on view is an exhibit on Klimt, which, if you want to inaugurate an immersive art space, was a rather good choice in subject. We definitely enjoyed exploring the space as the different art works projected above, below, around, on and over us, but the lack of visible informational context to accompany the projections was a bit disappointing (the informational panels that were available for consultation, were a bit hidden in a random corner of the mezzanine area, and could have perhaps served better were they placed in the lobby before the exhibition entrance).
After the expo finished, we ended up grabbing dinner at a small restaurant nearby, and chatted with the owner a bit about his new neighbor. Apparently, before its official opening, the Atelier (which is run by a private company, hence the ticket prices) invited local business owners and families for a visit. The restaurant owner and his wife attended along with their young daughter. While we all agreed that in general, the ticket prices left something to be desired, he did mention that his daughter was now pointing out all the posters advertising the gallery space and exclaiming excitedly that she recognized the Klimt painting depicted on them (“The Kiss”, for those wondering). So, if nothing else, at least it’s getting kids excited about something they might not have been exposed to otherwise.
Saturday was a bit quiet (and yes, this does count the little demonstration against the current occupant of the Élysée Palace), and today was rather on the relaxing side as well, starting with brunch at L’Heure Gourmande with Anne.
Followed by a stroll up to La Fontaine de Belleville for an iced coffee to accompany my grading spree (which, yes, was actually incredibly productive).